THE ROLE OF TECHNOLOGY AND SOCIAL MEDIA IN THE SPREAD OF HALLYU
DOI:
https://doi.org/10.31392/cult.alm.2023.3.45Keywords:
Hallyu (Korean Wave), digital platforms, social media, technology impact, cultural dynamics, cultural globalizationAbstract
Since their inception, technological advances and social media have been a powerful tool for rapid globalisation, particularly in terms of culture. The mass culture of European and American countries has had a stable circulation within them, which is also true for Asian countries. However, it is worth paying special attention to the transformative and important role of technology and social media in the context of cultural exchange, dissemination and targeted distribution of cultural products of Asian countries such as Japan, South Korea and China (PRC). Using the example of the spread and popularisation of Hallyu, commonly known as the "Korean Wave", the article examines how technological advances of the 21st century have brought South Korean pop culture beyond geographical boundaries, contributing to the creation of global communities of devoted fans. The study of the interaction between Hallyu and technology reveals that there are complex relationships and dependencies between content and the technological sphere, encompassing digital platforms, social media, and the dynamic landscape of fan culture. Various streaming services, digital platforms such as YouTube, X (Twitter), Instagram, TikTok are stable platforms for the global distribution of South Korean creative industry content. K-pop music videos, Korean dramas, Korean literature and culture in general – thanks to digital platforms, they have gained unprecedented access to diverse audiences around the world. Psy’s "Gangnam Style" music video on YouTube is a great example of the global appeal of K-pop, which has paved the way for the subsequent success of groups such as BTS and BLACKPINK, TWICE and others. Streaming services, including Netflix, have played a key role in the global distribution of Korean dramas. Netflix’s investments in original Korean series (Kingdom, Squid Game) have attracted increased international attention, highlighting the effectiveness of digital platforms in promoting Korean storytelling around the world, which, through its quality and accessibility, further facilitates global perception of Korean culture. The paradigm shift in communication between fans and artists is evident with platforms such as VLIVE and Weverse allowing artists to interact closely with their global fanbase. Music streaming platforms such as Spotify and Apple Music have expanded K-pop’s global reach, while social media platforms such as X (Twitter), Instagram and Facebook have kept audiences interested and contributed to the popularity of K-pop artists through real-time updates and fan interaction. In addition to music and dramas, digital platforms have facilitated the global distribution of Korean webtoons, with platforms such as LINE and Webtoon offering translations into various languages. Social media platforms, such as X (Twitter), have become important hubs for global fan communities, facilitating the spread of K-pop-related hashtags around the world. The study is based on a comprehensive analysis of the symbiotic relationship between Hallyu and technology. The interconnection of digital platforms, social media and fan culture has not only elevated South Korean pop culture to unprecedented global heights, but also redefined the dynamics of fan engagement and cultural dissemination in the digital age.
References
Benjamin, J. (2017). Happy Anniversary, Blackpink: A Breakdown of Their Major Chart Accomplishments After 1 Year. Billboard. URL: https://www.billboard.com/pro/blackpink-one-year-anniversary-chart-statistics-bubbling-under/(дата звернення: 27.08.2023).
Berkowitz, J. (2020). Netflix announces first K-pop original documentary 'BLACKPINK: Light Up the Sky'. Netflix. URL:https://about.netflix.com/en/news/ netflix-first-k-pop-documentary-blackpink-light-up-the-sky (дата звернення: 01.09.2023).
Borisova, T. P. (2022). South Korea’s national strategy for promoting Korean culture and language abroad (Doctoral dissertation). Sofia University “St. Kliment Ohridski”.
Boyd, D. J. (2022). Crunchyroll and the Webtoon-Image: Reterritorialising the Korean Digital Wave in Telecom Animation’s Tower of God (2020) and MAPPA’s The God of High School (2020). In Streaming and Screen Culture in Asia-Pacific (pp. 285–308). Cham: Springer International Publishing.
Chan, T. (2021). BTS Tops Twitter’s List of Most Popular Artists for Fourth Year in a Row. RollingStone. URL: https://www.rollingstone.com/music/music-news/bts-twitter-account-mentions-fans-1128480/ (дата звернення: 01.09.2023).
Eun-byel, I. (2021) Korean Wave fans surpass 100 million: report. The Korea Herald. URL: https://www.koreaherald.com/view.php?ud=20210114000861 (дата звернення: 27.08.2023)
Galantowicz, S. M. (2021). Understanding K-Pop Twitter as a site of Transnational Social Media Activism. UVM College of Arts and Sciences College Honors Theses. 104. URL: https://scholarworks.uvm.edu/castheses/104 (дата звернення: 27.08.2023).
K, J. (2017). BTS Becomes First K-Pop Group To Win At Billboard Music Awards. Soompi. URL: https://www.soompi.com/article/987681wpp/bts-becomes-first-k-pop-group-win-billboard-music-awards (дата звернення: 01.09.2023).
Ke, B. (2023). 9 virtual K-pop idols we’re stanning right now. NextShark. URL: https://nextshark.com/virtual-k-popidols-listicle (дата звернення: 01.09.2023). Kim, M., Lee, Y., & Lee, J. (2022). Multi-view layout design for VR concert experience. In Proceedings of the 30th ACM International Conference on Multimedia (pp.818-826). Kim, P., & Hutt, E. (2021). K-pop as a social movement: Case study of BTS and their fandom ARMY. Journal of Student Research, 10(3).
Kwaak, J. S. (2021). Inside the business of BTS – and the challenges ahead. Billboard. URL: https://www.billboard.com/music/features/bts-billboard-cover-story-2021-interview-9618967/ (дата звернення: 01.09.2023).
Lee, I. (2018). Effects of Contact with Korean popular culture on KFL learners' motivation. The Korean Language in America, 22(1), 25–45.
이신영(2013) ‘별을 따고 싶나요? 대작 만들어야’ ≪조선일보≫ 2013년7.13. [Lee, Shin-young (2013) 'Want to win a star? Make a masterpiece' ≪Joseon Ilbo≫ 13 July 2013] URL: https://terms.naver.com/entry.naver?docId=2275799&cid=42219&categoryId=51198 (дата звернення 03.03.2023)
Li, X. (2022). Reasons for the Success of KPOP (Korean Popular Music) Culture in the International Spread. In 2022 8th International Conference on Humanities and Social Science Research (ICHSSR 2022) (pp. 2617–2621). Atlantis Press.
Minsung, K. (2022). The Growth of South Korean Soft Power and Its Geopolitical Implications. Journal of Indo-Pacific Affairs, Air University Press. URL: https://www.airuniversity.af.edu/JIPA/Display/Article/3212634/the-growth-of-southkorean-soft-power-and-its-geopolitical-implications/ (дата звернення: 27.08.2023). Newsroom. (2021). BTS WORLD’s
latest update includes a new chapter featuring Jung Kook in the magic shop. Netmarble. URL: https://ch.netmarble.com/Eng/Newsroom/Detail?post_seq=2299&bbs_code=1020&post_tag=BTS%20WORLD (дата звернення: 01.09.2023).
Осадча, Л. (2021). Феномен корейської хвилі в метамодерному середовищі європейської культури. Вісник Національної академії керівних кадрів культури і мистецтв, (2), 49–56.
Park, J. H., Kim, K. A., & Lee, Y. (2022). Theorizing the Korean Wave| Netflix and Platform Imperialism: How Netflix Alters the Ecology of the Korean TV Drama Industry. International Journal of Communication, 17, 20.
Park, S., Jo, H., & Kim, T. (2023). Platformization in local cultural production: Korean platform companies and the K-pop industry. International Journal of Communication, 17, 22.
Scott, K. (2019). K-Pop band BTS makes Grammy Awards debut, fans lose it on social media. Global News. URL: https://globalnews.ca/news/4946405/bts-2019-grammy-awards/ (дата звернення: 01.09.2023).
Spangler, T. (2020). BTS ’Dynamite’ Breaks YouTube Record for Most-Viewed Video in First 24 Hours, With 101 Million Views. Variety. URL: https://variety.com/2020/digital/news/bts-dynamite-youtube-record-most-viewed-24-hour-1234743960/ (дата звернення: 01.09.2023).
Statista Search Department (2023) Number of inbound visitors to South Korea
from 2000 to 2022. [Infographic]. Statista. URL:https://www.statista.com/statistics /709116/south-korea-inboundvisitors/(дата звернення: 27.08.2023).
Ting, J. (2020). BTS Breaks Their Own Record With 'BE'. Paper. URL: https://www.papermag.com/bts-bealbum#rebelltitem5 (дата звернення: 01.09.2023).
Walfisz, J. (2022). The history of virtual concerts - from K-pop to ABBA Voyage. EuroNews.Culture. URL: https://www.euronews.com/culture /2022/05/27/the-history-of-virtual-concerts-from-k-pop-to-abba-voyage (дата звернення: 27.08.2023).
Zellner, X. (2019). Blackpink’s ‘Kill This Love’ Makes K-Pop History on Hot 100 & Billboard 200 Charts. Billboard. URL: (дата звернення: 01.09.2023).
Yonhap. (2017). BTS becomes 1st K-pop act to break into Spotify's Global Top 50. Yonhap News Agency. URL: https://en.yna.co.kr/view /AEN20170920002400315 (дата звернення: 01.09.2023).