CONCERT AS A TRANSLATOR OF SOCIAL AND STATE VALUES

Abstract

The purpose of the article is to theoretically understand the concert as an effective translator of social and state values, their practical relevance, implementation and effectiveness. The research methodology includes general scientific principles of systematization and generalization of the problem under study, which made it possible to identify and scientifically substantiate existing theories and approaches to understanding such concepts as: concert, social and state values, unity, identity, will, dignity. The use of an axiological approach made it possible to identify the value-oriented nature of the theories under consideration, to outline personalized scientific positions on the symbiosis of music, concert and values. The use of an analytical method contributed to the identification of relevant cultural issues for further research into the phenomenon of the concert and concert activity from the point of view of its symbolic potential. The scientific novelty of the study lies in the cultural understanding of the concert as a special form of public cultural practice that performs the function of translating social and state values. Conclusions. The concert as a translator of social and state values acquires special importance during the period of social challenges that Ukraine faces every day. The creative combination of various instruments of concert influence allows us to visually represent national identity, strengthen the symbolic and communicative potential of the public image of state services. The integration of elements of national color, from traditional melodic intonations, folklore motifs, authentic instruments and symbolic images in a concert performance enhances the emotional and value impact of music, actualizing the listeners' sense of will, dignity and cultural self-identification. National color in a concert performance is an important tool for the formation of value orientations, in particular the ideals of freedom and human dignity. In the challenges of war, the transmission through concert activities of such socio-state values as: unity, originality, will and dignity acquires decisive importance, where the concert becomes an instrument of cultural consolidation, a symbol of spiritual stability and emotional mobilization of society. In wartime, the concert becomes an instrument of cultural stability: it helps society to maintain hope, support each other and demonstrate the power of culture even in the most difficult circumstances.